Professional Practice

• 2010 until 2014: Prorector, Burg Giebichenstein, Halle / Saale, responsible for the school’s new visual identity and communication
• 2007 since then: Professor of Type and Typography, Burg Giebichenstein University of Art and Design Halle
• 2005 until 2008: Professor II (Adjunct Professor) of Type and Typography at the Bergen Academy of Art and Design, Bergen / Norway
• 2004 Founded typecuts, Berlin
• 2003 until 2005: Guest lecturer for Type and Typography at the Bergen Academy of Art and Design, Bergen / Norway
• 2000 since then: self-employed as type designer and typographer, Berlin
• 1999 until 2000: Guest lecturer for Typography, University of Applied Sciences Mainz
• 1998 until 1999: Design assistant to Jeffery Keedy, Cipher, Los Angeles / USA
• 1993 until 1995: Various internships in Frankfurt and London design studios

Education

• 1998 MFA Graphic Design, California Institute of the Arts, Valencia / USA
• 1992 Graphic Design Exchange Program, Plymouth College of Art and Design, Plymouth / UK
• 1996 Communication Design, Diploma, University of Applied Sciences Mainz

Editorships

• 2022 Tinnes, Andrea (Ed.): Imagine: Promoting Dance Culture and Progressive Futures of Clubbing. Halle: Verlag der Burg Giebichenstein Kunsthochschule Halle, 2022
• 2021 Tinnes, Andrea / Pané-Farré, Pierre (Ed.): Learning/Unlearning form Bauhaus. Halle: Verlag der Burg Giebichenstein Kunsthochschule Halle, 2021
• 2015 Burg Yearbook 2015, Editor as member of the rectorate and Art Direction
• 2014 Burg Yearbook 2014, Editor as member of the rectorate and Art Direction
• 2013 Burg Yearbook 2013, Editor as member of the rectorate and Art Direction
• 2012 Burg Yearbook 2012, Editor as member of the rectorate and Art Direction

News, Press and Interviews

• 2023 Rimini Berlin (Ed.): Schriftmeisterinnen Catalogue. Hamburg: Museum für Kunst und Gewerbe
• 2022 The Type Directors Club (Ed.): The World’s Best Typography, The 43. Annual of the Type Directors Club 2022. Mainz: Verlag Hermann Schmidt
• 2021 Tinnes, Andrea “Das Fragezeichen”. In: Kleines g oder großes R: Was ist das schönste Schriftzeichen? Tagesspiegel Sonderbeilage vom 17.10.21, Nr. 24 689, S. 9
• 2021 Lim, Maya P.: Five Type Designers. Communication Arts, Interactive Annual 27, March/Apri 2021, S. 54
• 2020 Tinnes, Andrea “Experimental Unlearning and Future Possibilities”. Interview von Renée Elizabeth Clarke im Femme Type Blog, https://femme-type.com/experimental-unlearning-and-future-possibilities-an-interview-with-andrea-tinnes [02.01.2023]
• 2019 Tinnes, Andrea “Library of Shapes, Texts and Structures”. In: Weaver, Amber (Ed.): FemmeType: A Book Celebrating Women in the Type Industry, People of Print, London 2019, S. 40 – 49
• 2019 Conrads, Martin: Ein Fundus an Formen und Texten. In: taz vom 03.05.2019, S. 24. https://taz.de/!5588626 [02.01.2023]
• 2019 Morley, Madeleine: Exhibiting Typography Isn’t Easy—Here’s How to Ace It. In: AIGA Eye on Design Magazine, https://eyeondesign.aiga.org/exhibiting-typography-isnt-easy-heres-how-to-ace-it [02.01.2023]
• 2019 Haile, Nadia: A Typographic “Wunderkammer”. In: inform.design Blog, California Institute of the Arts, https://inform.design.calarts.edu/2019/05/andrea-tinnes-library [02.01.2023]
• 2019 Heller, Steven: Lust For Type. In: Print Magazine, https://www.printmag.com/post/experimental-graphic-design-a-z-berlin [02.01.2023]
• 2019 Dohmann, Antje: A–Z: Raum für experimentelles Grafik Design. In: Page Magazin, https://page-online.de/kreation/a-z-raum-fuer-experimentelles-grafik-design
• 2019 The Type Directors Club (Ed.): The World’s Best Typography, The 40. Annual of the Type Directors Club 2019. Mainz: Verlag Hermann Schmidt
• 2019 Weaver, Amber (Ed.): FemmeType: A Book Celebrating Women in the Type Industry. London: People of Print, 2019, S. 40 – 49
• 2019 In: The Pool, Issue 6, California Institute of the Arts Alumni Magazine, S. 98 – 99
• 2019 Slanted Publishers (Ed.): Yearbook of Type, Vol. 4, Showcase Allgemein Grotesk. Salenstein: niggli Verlag, 2019, S. 52 – 53
• 2018 Tinnes, Andrea: “Beziehungen zu schaffen, ist das Ziel aller Typographie”. In: Pangramme: Learning Type Design, Deutsche Katalog Beilage für die Ausstellung im Museum für Druckkunst Leipzig. Metz: École Supérieure d’Art de Lorraine Publisher, 2018, S. 14 – 17
• 2018 Slanted Publishers (Ed.): Yearbook of Type, Vol. 3, Showcase Affiche Collection. Salenstein: niggli Verlag, 2019, S. 16 – 17
• 2018 Schlömer, Rüdiger: Pixel, Patch und Pattern – Typeknitting. Mainz: Verlag Hermann Schmidt, 2018
• 2016 Tinnes, Andrea “Learning Type Design”. Interview von Jérome Knebusch in: Pangramme: Learning Type Design Katalog. Metz: École Supérieure d’Art de Lorraine Publisher, 2016, S. 126 – 129
• 2015 Artikel über das neue Erscheinungsbild der Burg Giebichenstein: Visuelles Erscheinungsbild für die Burg. In: Design Made in Germany Blog. https://www.designmadeingermany.de/2015/82605 [14.01.2023]
• 2015 Slanted Publishers (Ed.): Yearbook of Type, Vol. 2, Showcase Burg Grotesk. Salenstein: niggli Verlag, 2015, S. 74 – 75
• 2015 Tinnes, Andrea “Abecedarium – Eine Schriftprobe”. In Burg Giebichenstein Kunsthochschule Halle / Reuter, Jule (Ed.): Professoren und Professorinnen der BURG aus Kunst und Design ... Halle: Verlag der Burg Giebichenstein Kunsthochschule Halle, S. 151, 174 – 17
• 2015 Tinnes, Andrea #22. Interview von Ian Lynam im Vermont College of Art and Design Perpetual Beta Blog, https://perpetualbeta.vcfa.edu/2015/08/29/huh-22-an-interview-with-andrea-tinnes-of-typecuts [02.01.2023]
• 2015 Lynnam, Ian: Abecedarium. In: Perpetual Beta Blog, Vermont College of Art and Design, https://perpetualbeta.vcfa.edu/2015/09/01/andrea-tinnes-abecedarium [14.01.2023]
• 2015 Abecedarium – Andrea Tinnes reinterprets Sister Corita’s “10 Rules for Students and Teachers”. In: Inform.Design, CalArts graphic design blog [14.01.2023]
• 2013 Tinnes, Andrea “Die Schriftfamilie Roletta”. In: Eisele, Petra / Naegele, Isabel / Ludwig, Anette (Ed.): Neue Schriften. New Typefaces. Sulgen: Niggli, 2013, S.
• 2013 Kao, Jessica / Nguyen, Pierre: Andrea Tinnes – Rigorous and Playful. In: Idea magazine No. 360, 2013, S. 119
• 2013 Slanted and Magma Brand Design (Ed.): Yearbook of Type #1. Sulgen: Niggli, 2013
• 2013 Schmidt, Andrea / Sommer, Patrick M. (Ed.): Typoversity 2. Hamburg: NBVD, 2013
• 2013 Slanted #21 – Cuba. Street Typography. Sulgen: Niggli, 2013
• 2014 Tinnes, Andrea “Identität zeigen, Differenz wagen”. In: Rektorat der Burg Giebichenstein Kunsthochschule Halle (Ed.): BURG 2014: Jahrbuch der Burg Giebichenstein. Halle: Burg Verlag, 2012, S.32 – 34
• 2012 Heller, Steven / Anderson, Gail: New Modernist Type. London: Thames & Hudson, 2013, S. 68, 207
• 2012 Breuer, Gerda / Meer, Julia: Women in Graphic Design 1890–2012. Berlin: jovis Verlag
• 2012 Tinnes, Andrea “The typeface Family Roletta”. Interview von Anthony Cahalan in Desktop Magazine, Dec/Jan 2012, S. 22 – 23
• 2012 Tinnes, Andrea “Identität und Differenz”. In: Rektorat der Burg Giebichenstein Kunsthochschule Halle (Ed.): BURG 2012: Jahrbuch der Burg Giebichenstein Kunsthochschule Halle. Halle: Burg Verlag, 2012, S. 17 – 24
• 2011 Slanted and Magma Brand Design (Ed.): Experimental. In: Slanted #12, 2011, S. 68
• 2010 Tinnes, Andrea “Profile”. Interview von Silas Munro in: Pub Magazine Fall 2010. Valencia: CalArts Publishing, 2010, S. 6 – 9
• 2010 Slanted and Magma Brand Design (Ed.): Women, Typography, Graphic Design. In: Slanted #12, 2010, S. 46
• 2010 Ronneberger, Volker: Eine runde Sache, die PTL Roletta von Andrea Tinnes. In: Publishing Praxis 9/10 2010
• 2010 Slanted (Ed.): Typo Lyrics: The Sound of Fonts. Basel: Birkhäuser, 2010, S. 52
• 2010 Dohmann, Antje: Runde Roletta. In: Page 08.2010, S. 071
• 2009 He, Jianping: typecuts. In: Small Studios. Singapore: PageOne, 2009, S. 566 – 571
• 2008 Lupton, Ellen (Ed.): Area 2 – 100 Graphic Designers, 10 Curators, 10 Design Classics. New York: Phaidon. 2008, S. 384 – 387
• 2008 Idea: Various aspects of Contemporary Ornaments and Patterns: Andrea Tinnes. In: Idea magazine No. 325, 2007, S. 138 – 143
• 2008 Tinnes, Andrea “Made in Germany – Deutsches Filmfestival in Tbilissi”. In: Typography 28. The annual of the Type Directors Club. Berkeley: Gingko Press, S. 123
• 2007 Fiell, Peter / Fiell, Charlotte (Ed.): Contemporary Graphic Design: Contemporary avant-garde graphic design. Köln: Benedikt Taschen Verlag GmbH. 2007, S. 526 – 529
• 2007 Festival International d’affiches de Chaumont: Chaumont Festival 2007 catalogue. Paris: Pyramyd, 2007, S. 136
• 2007 Durmaz, Ömer: Tipografi’nin Maestro’su Andrea Tinnes. In: Grafik Tasarim Nr. 5 2007, S. 40 – 49
• 2007 Tinnes, Andrea “typeface/interface”. Interview von Jan Middendorp in: Eye magazine Nr. 64 summer 2007, S. 10 – 17
• 2006 Lutz, Anja / Gerber, Anna (Ed.): Influences: A Lexicon of Contemporary Graphic Design Practice. Berlin: die Gestalten Verlag, 2006
• 2006 Stewart, Jude: Willkommen, Bienvenue, Welcome. In: I.D. Magazine 06 2006, S. 58
• 2006 Hall, Dom: Andrea Tinnes. In: ComputerArts Projects – typography issue 862005, S. 42 – 45
• 2006 École des beaux-arts de Rennes: Earthquakes and Aftershocks – posters from the CalArts Graphic Design Program. Rennes: Presses Universitaires de Rennes, 2006, S. 44
• 2005 Twemlow, Alice: the decriminalization of ornament. In: EYE No. 58 Vol. 15 Winter 05, S. 19, S. 24
• 2005 Rivers, Charotte (Ed.): Type Specific: Designing Custom Fonts for Function and Identity. Brighton: Rotovision, 2005, S. 60 – 61
• 2005 Bertell, Emil / Tinnes, Andrea: Symbol font Tutorial. In: ComputerArts Projects: The Type Issue, Issue 76, October 2005, S. 74 – 79
• 2005 Ulrich, Bettina: typecuts: the magic of characters. In: Novum 08 2005, S. 64 – 69
• 2005 Pinter, Vanina: Andrea Tinnes: dessinatrice de caractère. In: étapes: April 2005, S. 63 – 65
• 2005 STEP inside design magazine: The STEP Field Guide to Emerging Design Talent
• 2004 Rivers, Charotte (Ed.): Maximalism: Creating Sensual Appeal through Graphic Design. Brighton: Rotovision, 2003, S. 32 – 35
• 2003 Fiell, Peter / Fiell, Charlotte (Ed.): Graphic Design for the 21st Century: 100 of the World’s best Graphic Designers. Köln: Benedikt Taschen Verlag GmbH, 2003, S. 566 – 571
• 2002 Walton, Roger (Ed.): Big Ideas: the Power of Creation. New York: Duncan Baird Publishers, 2002
• 2002 Walton, Roger (Ed.): Type: no boundaries no borders, no limits. New York: Duncan Baird Publishers & HBI, 2002
• 2002 Walton, Roger (Ed.): Typographics 4. New York: Duncan Baird Publishers & HBI, 2002, S. 106 – 109
• 2001 Zec, Peter (Ed.): Red Dot Award – Internationales Jahrbuch Kommunikationsdesign 2001/2002. Ludwigsburg: avedition, 2001, S. 196
• 2000 Siegrist, Roland (Ed.): Alphabets, Codes und andere Zeichen. Katalog zur Ausstellung im Gutenberg Pavillon Mainz. Mainz: Verlag Hermann Schmidt, 2000
• 1999 Walton, Roger (Ed.): Alphabook – Typeface Design and Application. New York: Duncan Baird Publishers & HBI, 1999
• 1999 Pfeffer, Florian / Kretschmann, Dieter: Output 02: International Yearbook for awarded works of Graphic Design students. Mainz: Verlag Hermann Schmidt, 1999, S. 32 – 33
• 1999 Bellantoni, Jeff / Woolman, Matt: Type in Motion. Mainz: Verlag Hermann Schmidt, 1999, S. 11

Typefaces

• Text Typefaces: Allgemein Grotesk, Retroskop, Burg Grotesk, PTL Roletta, PTL Skopex, Das Deck, Wedding Sans
• Display Typefaces: Inventar Collection, Switch, Haircrimes, Stitch-Me, Switch, TypeJockey (TJ)
• Pictorial Fonts: LOS, Volvox, Repeat Patterns
• Custom Typefaces: Spektro MCAD, Broadway Hollywood Script, Eastern Columbia, Trivium, Viceroy Custom Type

Awards and Scholarships

• 2023 TDC69, Certificate of Typographic Excellence
• 2022 TDC68, Certificate of Typographic Excellence
• 2020 TDC65, Certificate of Typographic Excellence
• 2015 100 Best Posters of Burg Giebichenstein
• 2007 Festival d’affiches de Chaumont
• 2007 TDC53, Certificate of Typographic Excellence
• 2001 Red Dot Award, Communication Design 2001/2002, Design Zentrum Nordrhein Westfalen
• 1999 Selected, 22 Annual 100Show, American Center for Design, Chicago
• 1999 Selected, Output 02: awarded works of Graphic Design students, German Design Council, Frankfurt/Main
• 1996 until 1999 Fulbright Scholarship

Solo– and Group Exhibitions

• 2023 The F* word: Guerrilla Girls and feminist Graphic Design, Museum für Kunst und Gewerbe, Hamburg
• 2022 New York Type Directors Clubs (TDC) exhibition TDC 68
• 2020 Inside Out & Upside Down: Posters from CalArts 1970 – 2019, REDCAT Theater, Los Angeles / USA
• 2019 New York Type Directors Clubs (TDC) exhibition TDC 65
• 2019 Library of Shapes, Texts and Structures, Gallery A–Z presents, https://a-z-presents.com
• 2016 Tanzjahr 2016, 16 Posters by international designers, poster exhibition at the Künstlerhaus Bethanien and Weltformat Festival Luzern
• 2015 BURG Professors of Art and Design, Volkspark Halle, exhibiting Abecedarium: 24 alphabetic and typographic artworks
• 2015 100 Best Posters of Burg Giebichenstein, Volkspark Halle
• 2013 Call for Type. New Typefaces. Gutenberg Museum, Mainz
• 2011 Deep Surface: Contemporary Ornament and Pattern. CamRaleigh Contemporary Art Museum Raleigh, North Carolina / USA
• 2011 CAPITAL: Berliner Buchstaben. Galerie Mota Italic, Berlin
• 2010 Typocube at Berlin Square, Expo 2010 in Shanghai / China
• 2008 Schrift in Form. Klingspor Museum, Offenbach/Main
• 2008 Pimp the Type, exhibition organized by the Spanish typographic collective Catalana de Tipos, taking place in Valencia and Barcelona
• 2007 TDC53, exhibition of winning entries for TDC53 at the One Club New York, New York / USA
• 2007 My Favourite Game: parallel event of the 2007 Ten Images for Ithaca competition, Ithaca Public Art Gallery, Greece, July 14 – July 29
• 2007 18th International Poster and Graphic Arts Festival of Chaumont. May 12 – June 24, Entrepôt des Subsistances, Chaumont
• 2007 Location:Georgia, photo exhibition with works by Andreas Dresen, Konstantin Faigle, Harun Farocki, Christoph Hübner, Erik-Jan Ouwerkerk, Thomas Riedelsheimer, Stefan Tolz, Andrea Tinnes among others, Cologne
• 2006 Spoken with Eyes: Glimpses of post dot graphic design. Presented by the Sacramento Art Directors and Artists Club. May 21 – June 30, 2006 at the UC Davis Design Museum, featuring several type posters
• 2005 Alter Ego: Self-Initiated Work by CalArts Design Alumni, Students and Faculty; CalArts, Valencia / USA
• 2005 Earthquakes and Aftershocks, Affiches du California Institute of the Arts, 1986 – 2004, Ecole des beaux-arts de Rennes, France
• 2001 Acceptance, Rebellion, Overdrive, CalArts Type Design 1988 – 2001, CalArts, Valencia / USA
• 2001 Red Dot Award, Communication Design 2001/2002, Zeche Zollverein, Essen
• 2000 Alphabets, Codes und andere Zeichen, Gutenberg Pavillon, Mainz
• 1999 TwentySecond Annual100 Show, Chicago / USA

Juries and Memberships

• 2019 Jury “100 beste Plakate”, Berlin
• 2019 Jury German Academic Scholarship Foundation, Berlin
• 2017 Jury “31. Plakatwettbewerb des Deutschen Studentenwerks für Design-Studierende“, Berlin
• 2016 Jury international student competition “Pangramme: learning type design”, Metz / France
• 2016 since, Member of the Club “Open Book Society e.V.” formerly known as “Verein zur Förderung von Grafik und Buchunst e.V.” , from 2023 on Member of the Extended Board
• 2013 Jury “The Most beautiful Books in Austria 2012”, Vienna / Austria
• 2011 Expert Humanrights-Logo Contest, https://www.humanrightslogo.net
• 2010 Jury “10 Images for Ithaca”, Greece
• 2007 Jury “Visuelt Konkurransen”, Grafill Oslo / Norway
• 2010 since, Member of the Art Advisory Council, Federal Ministry of Finance, Berlin, Judging of the postage stamp competitions

Lectures and Workshops

• 2023 Lecture Series “Designblicke”, Museum für Kunst und Gewerbe, Hamburg
• 2022 Lecture “Learning/Unlearning from Bauhaus”, typography class HGB Leipzig
• 2022 Jour Fixe Lecture “Learning/Unlearning from Bauhaus”, with Pierre Panel-Farré, Burg Giebichenstein Academy of Art Halle
• 2020 Lecture “Library of Shapes, Texts and Structures”, Museum für Druckkunst, Leipzig
• 2019 #tptalks19, lecture in the context of the TypeParis Summer School, Paris / France
• 2018 Lecture “Schrift und Typografie Lehre an der Burg” and round table discussion, Typostammtisch, Berlin.
• 2017 Faculty Day Nr.2, HGB Leipzig, Round Table Discussion, Leipzig
• 2017 Lecture “The typeface Affiche”, Type Talk ZHdK, MAS Type Design, Zurich / Switzerland
• 2016 Faculty Day Nr.1, HGB Leipzig, Round Table Discussion, Leipzig
• 2014 Moderation of the Leipzig Typotage, Museum für Druckkunst Leipzig.
• 2013 Lecture “Identity and Difference”, 25th Days of Typography, Bern / Switzerland.
• 2013 Lecture “Identity and Difference”, Talks on Type at the Gutenberg Museum, Mainz, Germany.
• 2013 Lecture “Identity and Difference”, TYPO Day/Business Typography Talks, Stuttgart / Germany
• 2012 Lecture “Identity and Difference”, TYPO Day/Business Typography Talks, Berlin
• 2012 Lecture “Identity and Difference”, TYPO Day/Business Typography Talks, Cologne
• 2012 Lecture “Identity and Difference”, TYPO Day/Business Typography Talks, Frankfurt
• 2012 Lecture about own design practice, CalArts, Valencia / USA
• 2012 Lecture about own design practice, Otis College, Los Angeles / USA
• 2012 Lecture about own design practice, CalArts, Valencia / USA
• 2012 Lecture about own design practice, Otis College, Los Angeles / USA
• 2011 Lecture “The great art of the small abc” with Jenny Baese, Typotage, Leipzig / Germany
• 2010 2-week Type Design Workshop at ISDI in Havana / Cuba
• 2010 Lecture “Lust auf Schrift”, TypoBerlin "Passion", Berlin
• 2008 Lecture about own type design practice, TypograVieh lebt 5 "Dingbats Black to Light", Weimar
• 2008 Lecture about own type design practice, Royal Library, Stockholm / Sweden
• 2007 Jour Fixe inaugural lecture at the Burg Giebichenstein Kunsthochschule Halle
• 2006 Lecture about own design practice, Grafill Lecture Series, Bergen / Norway
• 2005 2-week Type Design Workshop, Kunsthøgskolen i Bergen, Bergen / Norway
• 2004 2-week Type Design Workshop, Kunsthøgskolen i Bergen, Bergen / Norway
• 2004 Lecture about own design practice, Graphic Europe in Berlin, Parallel Session "Being in Berlin
• 2003 2-week Type Design Workshop, Kunsthøgskolen i Bergen, Bergen / Norway
• 2001 Lecture about own design practice, University of Applied Sciences Rheinland Pfalz, Mainz / Germany

Academic Self-Administration

• 2022 Mitglied Berufungskommission Professur Intermediale Gestaltung, Kommunikationsdesign, FB Design
• 2022 Mitglied Berufungskommission Professur Grundlagen der Gestaltung / Dreidimensionales Gestalten, FB Design
• 2022 Mitglied Berufungskommission Professur Grundlagen der Gestaltung / Prozess und Interaktion, Grundlagen, FB Design
• 2018 till 2021 Vorsitzende PA und Studiengangssprecherin Studiengänge des Kommunikationsdesign BA und MA, FB Design
• 2019 since, Mitglied Kommission »Schutz vor Benachteiligung«
• 2019 Mitglied Berufungskommission Professur Fotografie, KD, FB Design
• 2017 Mitglied Berufungskommission Professur Fotografie, KD, FB Design
• 2016 Mitglied Berufungskommission Professur Dreidimensionales Gestalten / Material, Form, Objekt, Grundlagen, FB Design
• 2016 Mitglied Berufungskommission Professur Informationsdesign, KD
• 2014 till 2016 Vorsitzende PA und Studiengangssprecherin Studienganänge des Kommunikationsdesign BA und MA, FB Design
• 2014 Vorsitz Berufungskommission Professur Zeichnen und Bildnerisches Gestalten, Grundlagen, FB Design
• 2010 till 2014, Prorektorin für Kommunikation, Burg Giebichenstein, Halle
• 2010 till 2022 Mitglied Senat
• 2010 till 2018 Mitglied FBR Design
• 2010 till 2011 Mitglied Kommission Graduiertenstipendium
• 2008 Vorsitz Berufungskommission Professur Informationsdesign, KD
• 2008 since, Mitglied Internet AG (mittlerweile Internet Kommission)
• 2007 Mitglied Berufungskommission Professur Illustration, KD, FB Design
• 2007 since, Mitglied Studiengangs- und Prüfungsausschuss der Studiengänge des Kommunikationsdesign BA und MA, FB Design

Expert Activities

• 2022 Externes Mitglied Berufungskommission Professur Typografie / Grundlagen, HGB Leipzig
• 2021 Externes Mitglied Berufungskommission Professur Kommunikationsdesign Staatliche Akademie der Bildenden Künste Stuttgart
• 2020 Externes Mitglied Berufungskommission Professur Typografie / Grundlagen, HFH Potsdam
• 2020 Externes Gutachten Vertretungsprofessur Typografie, HGB Leipzig
• 2019 Externe Fachvertreterin und Vergleichendes Gutachten Berufungskommission Professur Typografie / Editorial Design, Hochschule Mainz
• 2019 Externes Mitglied Berufungskommission Professur Typografie und Schriftgestaltung, Bauhaus Universität Weimar
• 2018 Externes Mitglied Berufungskommission Professur Kommunikationsdesign, HfG Karlsruhe
• 2016 Externes Mitglied Berufungskommission Professur für Buchgestaltung, Muthesius Kunsthochschule Kiel
• 2011 Externe Gutachterin Professur Schrift und Typografie, FH Düsseldorf
• 2009 Externes Mitglied Berufungskommission Professur Type Design, Hochschule für Grafi k und Buchkunst, Leipzig
• 2007 Externes Mitglied Kommission Professor assessment Kompetansevurdering av søkere til stilling som professor II innenfor fagområdet typografisk design Gjoevik University College / Norwegen